Koovagam: The Festival Where Transgender Brides Wed at Night and Widow by Dawn
- Nishtha Singla
- Jul 28
- 3 min read
What lengths would you go to be noticed? To be honored? To be loved, even for just a night?
Every year, in a small village tucked away in Tamil Nadu, thousands of transgender women travel across dusty roads and crowded trains to gather here, not just for a festival, but for a moment of magic. Welcome to Koovagam, where a secret kingdom comes to life for 18 holy days. A place of color, courage, and community. A place where happiness dances hand in hand with grief, where love is both celebrated and mourned. This is no ordinary festival; it's a rebirth of identity.

The celebration is rooted in one of the most sacred and powerful texts: The Mahabharata. In the Mahabharata, Aravan, the brave son of Arjuna, offered himself to be sacrificed to ensure the Pandavas won the great war of Kurukshetra. But before he died, he had one last wish: to get married. But no woman stepped up, knowing his fate.
So Lord Krishna himself transformed into a beautiful woman, Mohini, and gave Aravan what he wanted most. They got married in a holy ceremony, and the next day, Aravan was sacrificed to Goddess Kali. Mohini, widowed within hours, mourned her husband's death.
That story lives on. Not in ancient epics, but in the hearts of thousands of people who go to the Koothandavar temple every year to relive the story.

The 18 days of the celebration mirror the 18 days of the Kurukshetra War. It takes place in the Tamil month of Chithirai (April to May), in the Koovagam village, about 25 kilometers from Villupuram. It is now known as India's largest transgender gathering, drawing people from across the country and even nearby countries like Sri Lanka and Thailand.
In every way, the first thirteen days are a celebration. There is storytelling, dance, music, and most vivaciously, the Miss Koovagam pageant, a stunning beauty contest in which competitors are evaluated not only on their looks but also on their bravery, voice, and sense of community. It's a chance to be seen in a world that tends to ignore you, to gain recognition, respect, and the opportunity to take charge.

Then comes day 14, the night of the full moon. Transgender women dress as brides in a stunning display of tradition and transformation. They assemble at the temple to symbolically marry Aravan by tying mangalsutras and seeking blessings from the priest.
Joy fills the night. People's hearts swell.
By day 16, however, everything changes. Aravan is dead. These brides are now widowed. They collectively mourn his death by taking off their thalis, shattering bangles, and wearing white sarees.
This bittersweet ritual of wedding and widowhood, back to back, has earned Koovagam its poetic name: "The Thousand Weddings and One Funeral" Festival. Koovagam, however, is not just about custom; it's resistance and reclamation.
This is the only place where transgender people do not feel rejected but accepted, in fact elevated. NGOs and social workers organize HIV awareness drives, legal aid booths, and health screenings, recognizing that the path to equality must include protection, education, and care.
Koovagam becomes a fleeting utopia in a nation where transgender people live on the margins, harassed, excluded, and forgotten.
However, it serves as a constant reminder: Why should acceptance be short lived?
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